'The quality that makes Fo uniquely powerful ...[is] the ability to wring wild laughter out of insidious corruption' Guardian 'Simon Nye's witty translation updates and relocates the play ...suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipul...(展开全部)

'One of the great autobiographies of the twentieth century ...A journey from luminous childhood, through the dark experiences of supposed madness, to the renewal of her life through writing fiction. It is a heroic story, and told with such engaging tone, humorous perspective and imaginative power' Michael Holroyd, Sunday Times After being misdiagnosed with schizophrenia as a yo...(展开全部)

Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions—and many more—in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, La...(展开全部)

The American photographer Francesca Woodman (1958–1981) created a body of fascinating photographic works in a few intense years before her premature death. Her oeuvre has been the object of numerous in-depth studies and major exhibitions in recent years, and her photographs have inspired artists all over the world. Woodman’s photographs explore gender, representation, sexuality...(展开全部)

安·诺伊曼（Ann Neumann）是美国纽约大学宗教与媒体中心的访问学者，同时担任《启示者》杂志的特约编辑，为其撰写专栏“病人之躯”，专门从事宗教与医学领域的交叉研究与探讨。她长期关注临终医助，在《纽约时报》《书籍论坛》《国家》《格尔尼卡》等杂志发表过多篇相关文章。《辞世之路：美国的临终医助》是她的第一本专著。

Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions - and many more - in ways that steer art writing into new territory.In early 2000, two extraordinary paintings by Poussin hung in the Getty Museum in a single room,...(展开全部)